• Interview with earthtone9

    earthtone9 discuss the creative process behind In Resonance Nexus, their collaboration with producer Lewis Johns, and offer insight into the album’s exploration of themes like perception and reality.

  • Interview with Hail Spirit Noir

    Hail Spirit Noir delve into the inspiration behind their intense new sound, the philosophical and scientific themes that shape the album, and the collaborative process that brought Fossil Gardens to life.

  • Interview with Fuck The Facts

    Fuck The Facts drummer Mathieu Vilandre was kind enough to take some time to answer some questions regarding their new album “Pleine Noirceur”.

Showing posts with label Raymond Westland. Show all posts

Hellyeah - Band of Brothers

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Hellyeah is an American rock/metal supergroup consisting of Chad Gray (vocals) and Greg Tribbett (guitars) of Mudvayne, former Nothingface guitarist Tom Maxwell and Pantera/Damageplan alumni Vinnie Paul (drums) and Bob Zilla (bass). “Band Of Brothers” is the title of their third collective effort and it may very well be their heaviest and most consistent album to date.
The first two Hellyeah albums were all about getting as far away from any Mudvayne, Pantera and Nothingface influences as possible, but on the “Band Of Brothers” Gray and Co decided to embrace the heavier elements of their main/former bands again.

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Hellyeah | Interview with Vinnie Paul

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One of the benefits of being a freelance rock/metal writer is that you get the chance to speak with people you admire. One of those persons is former Pantera and current Hellyeah drummer Vinnie Paul. Recently I had the chance to sit down with him and have a friendly chat. He turned out to be a very down to earth guy and accessible guy who spoke candidly about his adventures with Hellyeah, dealing with the tragic death of his brother Dimebag, his various business ventures and he gave his vision on the current state of the music industry... 


Hellyeah pretty much brought you back playing music. The band is really taking off. How do you like the experience so far?

It’s been great! After the death of Dimebag I didn’t know what to do for a couple of years. I didn’t know whether I wanted to play music, play drums or be in a band again. At some point I got approached by the rest of the Hellyeah guys if I wanted to be the drummer in their band. They’ve been busy with the band for several years, but they never could find the right drummer. At first I wasn’t really sure if I wanted to do this, but they were very persistent. I decided to give it got, it felt great and I ran with it. The rest is history as they say.


Let’s talk about the new Hellyeah album. It’s called “Band Of Brothers”. What does the album mean to you personally?

It means everything to me, man. We really found our stride on this album. The first two records were about having fun, experimenting with different genres and doing something totally different from our old bands. This time we decided to embrace our metal roots and go for a much heavier direction. Band Of Brothers will be the blueprint for future Hellyeah albums. Thematically it’s all about brotherhood and what we stand for as a band. Five guys having great fun playing together. That’s what Hellyeah is all about, dude.

When I first heard the album it immediately reminded me of Vulgar Display Of Power and Far Beyond Driven in terms of relentless drive and energy. Especially the title song reminds me of I’m Broken and 5 Minutes Alone...

Thank you, brother, that really means a lot to me, because I played on those records, I co-wrote that material and I produced it, so why not take something to that to Hellyeah?

Indeed! Would this also be a convenient excuse to incorporate some old Pantera and Mudvayne songs into the live set as an encore for instance?

No, we decided a long time ago that Hellyeah need to stand on its own feet and that we’re not going to play songs from Damageplan, Mudvayne and Pantera. The band is doing really well and we got three albums to pick songs from, so why would we? 

Fair enough. The recording sessions of the first two albums is stuff of legend as far as the alcohol intake and partying goes. How did things go for Band Of Brothers?

Pretty much the same. We recorded the new album at my house and it went very easy, especially during the recording of the first Hellyeah album. We recorded that one at Dimebag’s place and that was very confrontational experience. I really didn’t know whether I was able to make it through the entire experience.
There are all these great stories about Led Zeppelin and Black Sabbath recording in medieval castles and dungeons and what Rick Rubin did in the Houdini mansion, so I wanted to do the same at my place. It’s a really relaxed way of recording and when we don’t feel inspired we can drink a beer or BBQ. It’s good for the overall creative vibe. 

Read full interview here

Words: Raymond Westland

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Testament - Dark Roots of Earth

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When it comes to down to delivery high quality thrash metal few do it better than Testament. Albums like “Practise What You Preach”, “Souls Of Black” and “The Gathering” are mandatory staples for everyone with a preference for thrash metal from the Bay Area. The band last album, “The Formation Of Damnation” is a tough act to follow by any standard, so let’s see what Chuck Billy and his musical partners managed to accomplish on “Dark Roots Of Earth”, their latest offering.

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Katatonia – Dead End Kings

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When it comes to fusing moments of fragility together with sullen heavy parts few do it better than Jonas Renkse and Co, better known as Katatonia. These Swedish formation started out as a doom/death metal band, but along the way they shed their death metal roots, much like Anathema and The Gathering. However, Katatonia has always maintained a certain metallic edge to their music, with albums like Viva Emptiness (2003), The Great Cold Distance (2006) and Night Is The New Day (2009) being some particular poignant examples/ Let’s see how the band fares on their new album, entitled Dead End Kings...

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The Agonist | Interview with Alissa White-Gluz

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Montreal, Canada five-piece The Agonist are fast becoming one of the most exciting and interesting bands in modern metal music. Three years on from their surprising and critically acclaimed second album “Lullabies for the Dormant Mind”, this year the band returns with an incredible new record that tops everything they’ve done in the past and boasts an astonishing progression.
Scratch the Surface scribe Raymond Westland quizzed vocalist Alissa White-Gluz in order to find out more about their third fulllength record “Prisoners”. 


I was pleasantly surprised by “Prisoners”, the latest album by Montreal, Canada-based The Agonist. Vocalist Alissa White-Gluz was kind enough to provide us with some insights on the album, working together with Cryptopsy guitarist Chris Donaldson and getting involved with MTV… 

Thank for you doing this interview for Scratch The Surface. I must say I’m quite impressed with your new album. Are you happy the way it came out? 

“Yeah. It’s hard to be happy with something like this because you always want to go back and fix one thing or re-do one thing, but you just have to at one point be happy with how it turns out and go from that.” 

This time around you chose to go for a more straightforward metal approach. What triggered this? 

“Well, I completely disagree with that statement, and you’re the first person who’s said that, so I don’t know how to answer that question. I think it’s not a straightforward metal approach. I kind of wish it was, but I don’t think it is at all, I think it’s quite the opposite. It’s more technical and progressive than the last album.” 

Can you share some insights on the themes and subjects touched on “Prisoners”? 

“The lyrics for this album are, I guess, less perceptive. I kind of just wrote the lyrics and let them live as they were. I didn’t try to overdo any of them or rewrite them a million times, because at first I was doing that. Like with ‘The Escape.’ I wrote that song like three times before it turned into what it is now. So for the rest of the songs, I was like, ‘okay, it’s going to take me ten years to write this album if I do it that way,’ so I just kind of let the lyrics come out and left them as they were. Even to the point where songs like ‘Idea Moto’ are automatic writing.”

Read entire interview featured on Issue 3 here.

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Storm Corrosion – Storm Corrosion

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Porcupine Tree and Opeth are two of the leading bands within the modern progressive rock/metal movement, so when Steven Wilson and Mikael Akerfeldt announced they’re working on a new project expectations soared to an incredible level. In several interviews Wilson described the Storm Corrosion album as an integral part of a trilogy, made out of Opeth’s Heritage album and Grace For Drowning, his latest solo effort. Let’s see what Storm Corrosion has to offer.

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Mike Patton & Ictus Ensemble – Laborintus II

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Within the rock and metal community Mike Patton is mostly known for his pioneering vocal antics with Faith No More, The Dillinger Escape Plan and Mr Bungle. The last couple of years he’s active in countless side projects of a more experimental nature, including Mondo Cane, Peeping Tom and many other collaborations with drum n’ bass and jazz artists. His latest musical venture is a tribute to Italian composer Luciano Berio, together with the Dutch Chamber Choir and the Ictus Ensemble from Brussels, Belgium.

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Marduk – Serpent Sermon

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When it comes down to delivering full-on ferocious black metal few do it better than Marduk. These Swedes are the one of mainstays within their specific fields and many of their albums are considered essential. “Serpent Sermon” is the name of Marduk’s latest sonic assault, so let’s see whether Steinmeyer and Co are still able to spring a surprise or two...
To my great surprise “Serpent Sermon” opens with relatively slow song in the form of the title track. Marduk’s trademark craftsmanship is immediately recognisable.

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The Agonist – Prisoners

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Female fronted metal bands, I personally really loath the term. I find it a hollow shell, because it doesn’t give any information about the style of a certain band. Both Arch Enemy and Epica have female vocalists, but both outfits are on opposite side of the metal spectrum. Montreal, Canada-based The Agonist is another metal outfit featuring a female singer, but this time around it’s a lady whose good looks are only exceeded by her vocal capabilities.
“Prisoners” is the third album by these Canadians and it’s arguably their most focused and compact effort to date.

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