• Interview with earthtone9

    earthtone9 discuss the creative process behind In Resonance Nexus, their collaboration with producer Lewis Johns, and offer insight into the album’s exploration of themes like perception and reality.

  • Interview with Hail Spirit Noir

    Hail Spirit Noir delve into the inspiration behind their intense new sound, the philosophical and scientific themes that shape the album, and the collaborative process that brought Fossil Gardens to life.

  • Interview with Fuck The Facts

    Fuck The Facts drummer Mathieu Vilandre was kind enough to take some time to answer some questions regarding their new album “Pleine Noirceur”.

Showing posts with label Pyres. Show all posts

Pyres – Year of Sleep | Review

0 Comments
Right from the first few riffs of opener “Proximity Anxiety” you’ll notice that Canada’s Pyres sound a bit like Savannah’s finest riff mongers Baroness. In fact, the sludge-laden presence of Baroness looms unashamedly large throughout every song here. The sound is indeed familiar, but I don’t see it as plagiarism, I guess all this worship is merely them showing reverence for their influences, and these include Mastodon as well. See, sometimes Pyres errs toward a more aggro and barbaric approach that brings to mind killer records such as ‘Leviathan’ and ‘Blood Mountain’ , although, they tend to focus more on groove and less on prog tendencies.

In addition to a few riffs that remind us of Baroness, sometimes Andrew Wilson’s gruffly vocals also sound uncannily like John Baizley’s vocalizations just before the transformation into the rock croon that dominates the latest ‘Yellow and Green’ album. On tracks such as the stunning “Atlas Cast No Sound” those similarities are very much evident.

‘Year of Sleep’ also has a nice, comfortable flow and the four-piece toss in plenty of sweet harmonies that have the potential to linger for days in your head, the colossal “Deserter” is full of such memorable hooks that wouldn’t sound out of place in a killer album like ‘Blue Record’. And in the end, the powerful “The Everbearing” caps the album with the same primal roar of old Mastodon, charging the listener with some sludgy, powerful riffs.

Overall, this is a good debut and shows a lot of potential so, hopefully, this is only the first in a long line of strong and interesting records from this Canadian group.

Band info: www.facebook.com/pyresburn
Label info: www.heavygranitehouse.com



Read More »